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Last Year in Antananarivo is a series of photographs of a ball held by the French colonials in 1900 in Antananarivo which I found in the FTM archives in Madagascar. This discovery set me off on a journey, exploring the relationship between memory, pain and identity. In the images the Malagasy are dressed by the French in elaborate costumes to reflect the colonialists’ idea of ‘civilised’ people. An inherent duality – the colonized and the colonizer, the past versus the present, pain and pleasure, the subjectivity of identity and the notion of ‘civilisation’.

At the same time, the title Last Year in Antananarivo, which is inspired by the French film Last Year in Marienbad by Alain Resnais, arises from my life and work in Paris. The aesthetic of the film, the timelessness and absence of any sense of temporality – there is no real story, no definitive end and no answer to the questions posed. Instead the questions simply raise a further enquiry – leading to an ongoing dialogue about memory and meaning.

The images are poignant, haunting, invoking a sense of loss and moral outrage, and refuse to reach any conclusion or offer us any solution. The idea of dialogue is fundamental – there are overlapping yet segmented memories, no moral certainty, no definitive truth.

This text and the two images are from the series: Joël Andrianomearisoa, Last year in Antananarivo, 2016, photographs found in the Archives FTM Madagascar, copyright Joël Andrianomearisoa & Sabrina Amrani Madrid.

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May reading group

Join the May reading group hosted by Brook Andrew. This month the reading group will use as a leaping off point Brook’s letter to NIRIN artists in the leadup to the Biennale, as bushfires raged across Australia. Register your interest here

Reading Nirin—Gladys Milroy

A series of short readings by artists who have contributed to the 22nd Biennale of Sydney publication, NIRIN NGAAY. In this session Gladys Milroy reads her story ‘The Black Feather’.

Lucky for Some

Watch Brian Fuata perform at the Biennale of Sydney opening week.

An artist’s book by Stuart Geddes and Trent Walter.
Edited by Jessyca Hutchens, Brook Andrew, Stuart Geddes and Trent Walter.
Commissioned for the 22nd Biennale of Sydney.

The Biennale of Sydney team and authors of this publication acknowledge the Gadigal people of the Eora Nation; the Boorooberongal people of the Dharug Nation; the Bidiagal, Dharawal and Gamaygal people, on whose ancestral lands and waters NIRIN gathers.

NIRIN is a safe place for people to honour mutual respect and the diversity of expression and thoughts that empower us all.

NIRIN NGAAY is a compilation, a collection, a volume, an Artist Book, a Reader, an artwork, a sprawling, excessive heterogenous space of connections. Published as part of the 22nd Biennale of Sydney (2020), titled NIRIN, A Wiradjuri word meaning ‘edge’, this book is a space where ideas, themes, research, and experiments arising out of NIRIN find places on pages. Traversing many disciplines and forms, encompassing new and previously published works, complete works as well as excerpts and fragments and responses, each piece may ask for new modes of reading and seeing. Instead of disorienting, we see many lines darting and weaving across these works, beautiful moments of syncing and overlap, affective and abstract resonances, moments of density, as well as pauses to breathe deeply. Read and see and touch at random or with resolve – we hope that you will appreciate the way these works unfold and twist together, creating movements of meaning between them. ‘NGAAY’ is a Wiradjuri word meaning ‘see.’ To really see ‘edges’, might also be to sense and feel and trace them, they come into view with clarity, hover in the periphery, or drift away like memories.

Buy the book

Copies of NIRIN NGAAY can be purchased at the
Biennale of Sydney Shop

Book credits

First published in 2020 by the Biennale of Sydney Ltd.

Published with generous support from Aesop and the Copyright Agency’s Cultural Fund.

This publication is copyright and all rights are reserved. Apart from any use as permitted under the Copyright Act 1968, no part may be reproduced or
communicated to the public by any process without prior written permission of the copyright holder.

© Biennale of Sydney Ltd
All texts and artworks © the author or artist.

Published for the exhibition the 22nd Biennale of Sydney: NIRIN, 14 March – 8
June 2020.

ISBN: 978-0-9578023-9-1

Biennale of Sydney
Chief Executive Officer: Barbara Moore
Artistic Director: Brook Andrew
Editors: Jessyca Hutchens, Brook Andrew, Stuart Geddes and Trent Walter
Publications team: Sebastian Henry-Jones, Liz Malcolm and Jodie Polutele

Designed, typeset and printed by Stuart Geddes and Trent Walter on a Heidelberg GTO 52. Some sections printed by Printgraphics and Newsprinters.

The views expressed in this publication are those of the authors and do not necessarily reflect those of the Biennale of Sydney.

Biennale of Sydney Ltd
Level 4
10 Hickson Road
The Rocks NSW 2000
Australia

Film credits

Directed & Edited by
Amy Browne

Camera by
Amy Browne
Jason Heller
Kim Nguyen
Isabella Plaza

Sound by
Ben Coe

Nirin Ngaay